“Deep in his heart, every man longs for a battle to fight,
an adventure to live, and a beauty to rescue.”
an adventure to live, and a beauty to rescue.”
"Heart filled with waltzing Cherry Blossoms."
"Even mountain bow. And snow melt by your flamboyance!"
The kimono dress execution for her kid's bday party with Sakura theme.
"L'amour physique est sans issue"
(Physical Love is a dead end)
Serge Gainsbourg & Jane Birkin was once a lover
“I cannot fix on the hour, or the spot, or the look or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”
― Jane Austen, Pride and Prejudice
― Jane Austen, Pride and Prejudice
“What should I do about the wild and the tame? The wild heart that wants to be free, and the tame heart that wants to come home. I want to be held. I don't want you to come too close. I want you to scoop me up and bring me home at nights. I don't want to tell you where I am. I want to keep a place among the rocks where no one can find me. I want to be with you.” ― Jeanette Winterson
My submission for Paloma Faith's "Perfect Contradiction" poster
Please feel free to vote on 16 Oct, 08AM PDT. Thank You all!
Vote if you like the artwork, otherwise I'm open to any feedback/ comment.
B'day Sketch for Bello Bella
Happy Birthday Helen of Trojans!
My Californian sister starts playing cello
Rabbit is her Chinese zodiac
If you wanna dance, if you want it all,
You know I'm the sister that you should call.
So let me get you in your birthday suit,
its time to bring the big balloons!
Themed: "Tunas Bangsa"
Tribute to Batik Day
This is the story about life and similarity with Batik process.
From the day we born to adulthood and later life.
What we are today are the product of yesterday,
but its not determine our ending.
Tunas Bangsa is an Indonesian Scout's symbols that encourage us to
be a fruitful person and continue the good work for the country.
"Melancholic Paris"
My other Paris themed project for cake shop wallpaper. The purple colours was part of the cake branding yet it gives a melancholic poetic feeling before the midnight in Paris.
"I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belong to me and I belong to this notebook and pencil."
- Ernest Hemingway.
- Ernest Hemingway.
The theme of my talk today is, "Be an artist, right now." Most people, when this subject is brought up,get tense and resist it: "Art doesn't feed me, and right now I'm busy. I have to go to school, get a job,send my kids to lessons ... " You think, "I'm too busy. I don't have time for art." There are hundreds of reasons why we can't be artists right now. Don't they just pop into your head?
There are so many reasons why we can't be, indeed, we're not sure why we should be. We don't know why we should be artists, but we have many reasons why we can't be. Why do people instantly resist the idea of associating themselves with art? Perhaps you think art is for the greatly gifted or for the thoroughly and professionally trained. And some of you may think you've strayed too far from art. Well you might have, but I don't think so. This is the theme of my talk today. We are all born artists.
If you have kids, you know what I mean. Almost everything kids do is art. They draw with crayons on the wall. They dance to Son Dam Bi's dance on TV, but you can't even call it Son Dam Bi's dance -- it becomes the kids' own dance. So they dance a strange dance and inflict their singing on everyone.Perhaps their art is something only their parents can bear, and because they practice such art all day long, people honestly get a little tired around kids.
Kids will sometimes perform monodramas -- playing house is indeed a monodrama or a play. And some kids, when they get a bit older, start to lie. Usually parents remember the very first time their kid lies.They're shocked. "Now you're showing your true colors," Mom says. She thinks, "Why does he take after his dad?" She questions him, "What kind of a person are you going to be?"
But you shouldn't worry. The moment kids start to lie is the moment storytelling begins. They are talking about things they didn't see. It's amazing. It's a wonderful moment. Parents should celebrate. "Hurray! My boy finally started to lie!" All right! It calls for celebration. For example, a kid says, "Mom, guess what? I met an alien on my way home." Then a typical mom responds, "Stop that nonsense." Now, an ideal parent is someone who responds like this: "Really? An alien, huh? What did it look like? Did it say anything? Where did you meet it?" "Um, in front of the supermarket."
When you have a conversation like this, the kid has to come up with the next thing to say to be responsible for what he started. Soon, a story develops. Of course this is an infantile story, but thinking up one sentence after the next is the same thing a professional writer like me does. In essence, they are not different. Roland Barthes once said of Flaubert's novels, "Flaubert did not write a novel. He merely connected one sentence after another. The eros between sentences, that is the essence of Flaubert's novel." That's right -- a novel, basically, is writing one sentence, then, without violating the scope of the first one, writing the next sentence. And you continue to make connections.
Take a look at this sentence: "One morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in his bed he had been changed into a monstrous verminous bug." Yes, it's the first sentence of Franz Kafka's "The Metamorphosis." Writing such an unjustifiable sentence and continuing in order to justify it, Kafka's work became the masterpiece of contemporary literature. Kafka did not show his work to his father. He was not on good terms with his father. On his own, he wrote these sentences. Had he shown his father, "My boy has finally lost it," he would've thought.
And that's right. Art is about going a little nuts and justifying the next sentence, which is not much different from what a kid does. A kid who has just started to lie is taking the first step as a storyteller.Kids do art. They don't get tired and they have fun doing it. I was in Jeju Island a few days ago. When kids are on the beach, most of them love playing in the water. But some of them spend a lot of time in the sand, making mountains and seas -- well, not seas, but different things -- people and dogs, etc. But parents tell them, "It will all be washed away by the waves." In other words, it's useless. There's no need. But kids don't mind. They have fun in the moment and they keep playing in the sand. Kids don't do it because someone told them to. They aren't told by their boss or anyone, they just do it.
When you were little, I bet you spent time enjoying the pleasure of primitive art. When I ask my students to write about their happiest moment, many write about an early artistic experience they had as a kid.Learning to play piano for the first time and playing four hands with a friend, or performing a ridiculous skit with friends looking like idiots -- things like that. Or the moment you developed the first film you shot with an old camera. They talk about these kinds of experiences. You must have had such a moment. In that moment, art makes you happy because it's not work. Work doesn't make you happy, does it? Mostly it's tough.
The French writer Michel Tournier has a famous saying. It's a bit mischievous, actually. "Work is against human nature. The proof is that it makes us tired." Right? Why would work tire us if it's in our nature?Playing doesn't tire us. We can play all night long. If we work overnight, we should be paid for overtime.Why? Because it's tiring and we feel fatigue. But kids, usually they do art for fun. It's playing. They don't draw to sell the work to a client or play the piano to earn money for the family. Of course, there were kids who had to. You know this gentleman, right? He had to tour around Europe to support his family --Wolfgang Amadeus Mozart -- but that was centuries ago, so we can make him an exception.Unfortunately, at some point our art -- such a joyful pastime -- ends. Kids have to go to lessons, to school, do homework and of course they take piano or ballet lessons, but they aren't fun anymore.You're told to do it and there's competition. How can it be fun? If you're in elementary school and you still draw on the wall, you'll surely get in trouble with your mom. Besides, if you continue to act like an artist as you get older, you'll increasingly feel pressure -- people will question your actions and ask you to act properly.
Here's my story: I was an eighth grader and I entered a drawing contest at school in Gyeongbokgung. I was trying my best, and my teacher came around and asked me, "What are you doing?" "I'm drawing diligently," I said. "Why are you using only black?" Indeed, I was eagerly coloring the sketchbook in black. And I explained, "It's a dark night and a crow is perching on a branch." Then my teacher said,"Really? Well, Young-ha, you may not be good at drawing but you have a talent for storytelling." Or so I wished. "Now you'll get it, you rascal!" was the response. (Laughter) "You'll get it!" he said. You were supposed to draw the palace, the Gyeonghoeru, etc., but I was coloring everything in black, so he dragged me out of the group. There were a lot of girls there as well, so I was utterly mortified.
None of my explanations or excuses were heard, and I really got it big time. If he was an ideal teacher, he would have responded like I said before, "Young-ha may not have a talent for drawing, but he has a gift for making up stories," and he would have encouraged me. But such a teacher is seldom found.Later, I grew up and went to Europe's galleries -- I was a university student -- and I thought this was really unfair. Look what I found. (Laughter)
Works like this were hung in Basel while I was punished and stood in front of the palace with my drawing in my mouth. Look at this. Doesn't it look just like wallpaper? Contemporary art, I later discovered, isn't explained by a lame story like mine. No crows are brought up. Most of the works have no title, Untitled. Anyways, contemporary art in the 20th century is about doing something weird and filling the void with explanation and interpretation -- essentially the same as I did. Of course, my work was very amateur, but let's turn to more famous examples.
This is Picasso's. He stuck handlebars into a bike seat and called it "Bull's Head." Sounds convincing, right? Next, a urinal was placed on its side and called "Fountain". That was Duchamp. So filling the gap between explanation and a weird act with stories -- that's indeed what contemporary art is all about.Picasso even made the statement, "I draw not what I see but what I think." Yes, it means I didn't have to draw Gyeonghoeru. I wish I knew what Picasso said back then. I could have argued better with my teacher. Unfortunately, the little artists within us are choked to death before we get to fight against the oppressors of art. They get locked in. That's our tragedy.
So what happens when little artists get locked in, banished or even killed? Our artistic desire doesn't go away. We want to express, to reveal ourselves, but with the artist dead, the artistic desire reveals itself in dark form. In karaoke bars, there are always people who sing "She's Gone" or "Hotel California,"miming the guitar riffs. Usually they sound awful. Awful indeed. Some people turn into rockers like this.Or some people dance in clubs. People who would have enjoyed telling stories end up trolling on the Internet all night long. That's how a writing talent reveals itself on the dark side.
Sometimes we see dads get more excited than their kids playing with Legos or putting together plastic robots. They go, "Don't touch it. Daddy will do it for you." The kid has already lost interest and is doing something else, but the dad alone builds castles. This shows the artistic impulses inside us are suppressed, not gone. But they can often reveal themselves negatively, in the form of jealousy. You know the song "I would love to be on TV"? Why would we love it? TV is full of people who do what we wished to do, but never got to. They dance, they act -- and the more they do, they are praised. So we start to envy them. We become dictators with a remote and start to criticize the people on TV. "He just can't act." "You call that singing? She can't hit the notes." We easily say these sorts of things. We get jealous, not because we're evil, but because we have little artists pent up inside us. That's what I think.
What should we do then? Yes, that's right. Right now, we need to start our own art. Right this minute, we can turn off TV, log off the Internet, get up and start to do something. Where I teach students in drama school, there's a course called Dramatics. In this course, all students must put on a play.However, acting majors are not supposed to act. They can write the play, for example, and the writers may work on stage art. Likewise, stage art majors may become actors, and in this way you put on a show. Students at first wonder whether they can actually do it, but later they have so much fun. I rarely see anyone who is miserable doing a play. In school, the military or even in a mental institution, once you make people do it, they enjoy it. I saw this happen in the army -- many people had fun doing plays.
I have another experience: In my writing class, I give students a special assignment. I have students like you in the class -- many who don't major in writing. Some major in art or music and think they can't write. So I give them blank sheets of paper and a theme. It can be a simple theme: Write about the most unfortunate experience in your childhood. There's one condition: You must write like crazy. Like crazy! I walk around and encourage them, "Come on, come on!" They have to write like crazy for an hour or two. They only get to think for the first five minutes.
The reason I make them write like crazy is because when you write slowly and lots of thoughts cross your mind, the artistic devil creeps in. This devil will tell you hundreds of reasons why you can't write:"People will laugh at you. This is not good writing! What kind of sentence is this? Look at your handwriting!" It will say a lot of things. You have to run fast so the devil can't catch up. The really good writing I've seen in my class was not from the assignments with a long deadline, but from the 40- to 60-minute crazy writing students did in front of me with a pencil. The students go into a kind of trance. After 30 or 40 minutes, they write without knowing what they're writing. And in this moment, the nagging devil disappears.
So I can say this: It's not the hundreds of reasons why one can't be an artist, but rather, the one reason one must be that makes us artists. Why we cannot be something is not important. Most artists became artists because of the one reason. When we put the devil in our heart to sleep and start our own art,enemies appear on the outside. Mostly, they have the faces of our parents. (Laughter) Sometimes they look like our spouses, but they are not your parents or spouses. They are devils. Devils. They came to Earth briefly transformed to stop you from being artistic, from becoming artists. And they have a magic question. When we say, "I think I'll try acting. There's a drama school in the community center," or "I'd like to learn Italian songs," they ask, "Oh, yeah? A play? What for?" The magic question is, "What for?"But art is not for anything. Art is the ultimate goal. It saves our souls and makes us live happily. It helps us express ourselves and be happy without the help of alcohol or drugs. So in response to such a pragmatic question, we need to be bold. "Well, just for the fun of it. Sorry for having fun without you," is what you should say. "I'll just go ahead and do it anyway." The ideal future I imagine is where we all have multiple identities, at least one of which is an artist.
Once I was in New York and got in a cab. I took the backseat, and in front of me I saw something related to a play. So I asked the driver, "What is this?" He said it was his profile. "Then what are you?" I asked. "An actor," he said. He was a cabby and an actor. I asked, "What roles do you usually play?" He proudly said he played King Lear. King Lear. "Who is it that can tell me who I am?" -- a great line from King Lear. That's the world I dream of. Someone is a golfer by day and writer by night. Or a cabby and an actor, a banker and a painter, secretly or publicly performing their own arts.
In 1990, Martha Graham, the legend of modern dance, came to Korea. The great artist, then in her 90s, arrived at Gimpo Airport and a reporter asked her a typical question: "What do you have to do to become a great dancer? Any advice for aspiring Korean dancers?" Now, she was the master. This photo was taken in 1948 and she was already a celebrated artist. In 1990, she was asked this question.And here's what she answered: "Just do it." Wow. I was touched. Only those three words and she left the airport. That's it. So what should we do now? Let's be artists, right now. Right away. How? Just do it!
Thank you.
ref: TEDxSeoul
A friend asked me the other day, "...given the sorry state of so much in the world, what's possible to look forward to?"
The state isn't sorry. It's wide open.
Interest rates are super low, violence is close to an all time low, industries are being remade and there's more leverage for the insurgent outsider than ever before in history.
The status quo is taking a beating, there's no question about it. That's what makes it a revolution.
I said this nine years ago and I stand by it. In the years since I wrote this essay, people have started social movements, built billion dollar companies, toppled dictators, found new jobs, learned new skills and generally made a ruckus.
Go!
Hindsight is 20/20. People are already looking back on the 1990s and wishing that they had had more courage. When you look back on the 2000s, what will you have to say for yourself? [The following is reprinted from 9 years ago].
Here's a question that you should clip out and tape to your bathroom mirror. It might save you some angst 15 years from now. The question is, What did you do back when interest rates were at their lowest in 50 years, crime was close to zero, great employees were looking for good jobs, computers made product development and marketing easier than ever, and there was almost no competition for good news about great ideas?
Many people will have to answer that question by saying, "I spent my time waiting, whining, worrying, and wishing." Because that's what seems to be going around these days. Fortunately, though, not everyone will have to confess to having made such a bad choice.
While your company has been waiting for the economy to rebound, Reebok has launched Travel Trainers, a very cool-looking lightweight sneaker for travelers. They are selling out in Japan -- from vending machines in airports!
While Detroit's car companies have been whining about gas prices and bad publicity for SUVs (SUVs are among their most profitable products), Honda has been busy building cars that look like SUVs but get twice the gas mileage. The Honda Pilot was so popular, it had a waiting list.
While Africa's economic plight gets a fair amount of worry, a little startup called ApproTEC is actually doing something about it. The new income that its products generate accounts for 0.5% of the entire GDP of Kenya. How? It manufactures a $75 device that looks a lot like a StairMaster. But it's not for exercise. Instead, ApproTEC sells the machine to subsistence farmers, who use its stair-stepping feature to irrigate their land. People who buy it can move from subsistence farming to selling the additional produce that their land yields -- and triple their annual income in the first year of using the product.
While you've been wishing for the inspiration to start something great, thousands of entrepreneurs have used the prevailing sense of uncertainty to start truly remarkable companies. Lucrative Web businesses, successful tool catalogs, fast-growing PR firms -- all have started on a shoestring, and all have been profitable ahead of schedule. The Web is dead, right? Well, try telling that to Meetup.com, a new Web site that helps organize meetings anywhere and on any topic. It has 200,000 registered users -- and counting.
Maybe you already have a clipping on your mirror that asks you what you did during the 1990s. What's your biggest regret about that decade? Do you wish that you had started, joined, invested in, or built something? Are you left wishing that you'd at least had the courage to try? In hindsight, the 1990s were the good old days. Yet so many people missed out. Why? Because it's always possible to find a reason to stay put, to skip an opportunity, or to decline an offer. And yet, in retrospect, it's hard to remember why we said no and easy to wish that we had said yes.
The thing is, we still live in a world that's filled with opportunity. In fact, we have more than an opportunity -- we have an obligation. An obligation to spend our time doing great things. To find ideas that matter and to share them. To push ourselves and the people around us to demonstrate gratitude, insight, and inspiration. To take risks and to make the world better by being amazing.
Are these crazy times? You bet they are. But so were the days when we were doing duck-and-cover air-raid drills in school, or going through the scares of Three Mile Island and Love Canal. There will always be crazy times.
So stop thinking about how crazy the times are, and start thinking about what the crazy times demand. There has never been a worse time for business as usual. Business as usual is sure to fail, sure to disappoint, sure to numb our dreams. That's why there has never been a better time for the new. Your competitors are too afraid to spend money on new productivity tools. Your bankers have no idea where they can safely invest. Your potential employees are desperately looking for something exciting, something they feel passionate about, something they can genuinely engage in and engage with.
You get to make a choice. You can remake that choice every day, in fact. It's never too late to choose optimism, to choose action, to choose excellence. The best thing is that it only takes a moment -- just one second -- to decide.
Before you finish this paragraph, you have the power to change everything that's to come. And you can do that by asking yourself (and your colleagues) the one question that every organization and every individual needs to ask today: Why not be great?
Here's a question that you should clip out and tape to your bathroom mirror. It might save you some angst 15 years from now. The question is, What did you do back when interest rates were at their lowest in 50 years, crime was close to zero, great employees were looking for good jobs, computers made product development and marketing easier than ever, and there was almost no competition for good news about great ideas?
Many people will have to answer that question by saying, "I spent my time waiting, whining, worrying, and wishing." Because that's what seems to be going around these days. Fortunately, though, not everyone will have to confess to having made such a bad choice.
While your company has been waiting for the economy to rebound, Reebok has launched Travel Trainers, a very cool-looking lightweight sneaker for travelers. They are selling out in Japan -- from vending machines in airports!
While Detroit's car companies have been whining about gas prices and bad publicity for SUVs (SUVs are among their most profitable products), Honda has been busy building cars that look like SUVs but get twice the gas mileage. The Honda Pilot was so popular, it had a waiting list.
While Africa's economic plight gets a fair amount of worry, a little startup called ApproTEC is actually doing something about it. The new income that its products generate accounts for 0.5% of the entire GDP of Kenya. How? It manufactures a $75 device that looks a lot like a StairMaster. But it's not for exercise. Instead, ApproTEC sells the machine to subsistence farmers, who use its stair-stepping feature to irrigate their land. People who buy it can move from subsistence farming to selling the additional produce that their land yields -- and triple their annual income in the first year of using the product.
While you've been wishing for the inspiration to start something great, thousands of entrepreneurs have used the prevailing sense of uncertainty to start truly remarkable companies. Lucrative Web businesses, successful tool catalogs, fast-growing PR firms -- all have started on a shoestring, and all have been profitable ahead of schedule. The Web is dead, right? Well, try telling that to Meetup.com, a new Web site that helps organize meetings anywhere and on any topic. It has 200,000 registered users -- and counting.
Maybe you already have a clipping on your mirror that asks you what you did during the 1990s. What's your biggest regret about that decade? Do you wish that you had started, joined, invested in, or built something? Are you left wishing that you'd at least had the courage to try? In hindsight, the 1990s were the good old days. Yet so many people missed out. Why? Because it's always possible to find a reason to stay put, to skip an opportunity, or to decline an offer. And yet, in retrospect, it's hard to remember why we said no and easy to wish that we had said yes.
The thing is, we still live in a world that's filled with opportunity. In fact, we have more than an opportunity -- we have an obligation. An obligation to spend our time doing great things. To find ideas that matter and to share them. To push ourselves and the people around us to demonstrate gratitude, insight, and inspiration. To take risks and to make the world better by being amazing.
Are these crazy times? You bet they are. But so were the days when we were doing duck-and-cover air-raid drills in school, or going through the scares of Three Mile Island and Love Canal. There will always be crazy times.
So stop thinking about how crazy the times are, and start thinking about what the crazy times demand. There has never been a worse time for business as usual. Business as usual is sure to fail, sure to disappoint, sure to numb our dreams. That's why there has never been a better time for the new. Your competitors are too afraid to spend money on new productivity tools. Your bankers have no idea where they can safely invest. Your potential employees are desperately looking for something exciting, something they feel passionate about, something they can genuinely engage in and engage with.
You get to make a choice. You can remake that choice every day, in fact. It's never too late to choose optimism, to choose action, to choose excellence. The best thing is that it only takes a moment -- just one second -- to decide.
Before you finish this paragraph, you have the power to change everything that's to come. And you can do that by asking yourself (and your colleagues) the one question that every organization and every individual needs to ask today: Why not be great?
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